Thursday, September 29, 2011

CFP: IWCA Collaborative @ CCCC

Another call for proposals this week! You may recognize our very own Dr. Harry Denny mentioned here. Don't hesitate to get these abstracts submitted. The deadline is fast-approaching -- October 17, 2011. You can view all the information about this "unconference" including all details on proposals and submission after the jump. Just click "Read more."


Call for Proposals: International Writing Centers Association

Collaborative @ CCCC


March 21, 2012 – Crowne Plaza Hotel, St. Louis, MO

Writing Center Activism: From Ideals to Strategies


In Facing the Center (Utah State UP, 2010), Harry Denny explores the ways in which identity politics impact writing center work. He observes that identifying such politics within the center marks only the beginning; writing center professionals must continue to examine how the “larger socio-cultural forces” of race, class, gender, and nationalism (to name a few) “commingle with institutional histories and cultures” (145).  He insists that our responses to the tensions that arise from such commingling can “provide critical lessons to our colleagues beyond the spaces of our writing centers,” and he identifies such responses as the stuff of “everyday activism” (145). For Denny, understanding activism as a daily choice—or performance—creates at once tremendous potential and challenges for writing center professionals and workers.

10/4: What is Writing Studies? Event


Attention English-ers! This upcoming event promises to be a very interesting conversation about the future of the Writing Studies field. Whether you are taking or teaching a composition class or have had your interest even mildly piqued by it in the past, I hope you'll join us next Tuesday for this conversation.

What Is “Writing Studies”?

In the past, the term “Writing Studies” has been used interchangeably with “Composition/Rhetoric,” and little discussion has been devoted to exploring how Writing Studies might evolve into a field of its own.

Why has this been the case?  What are the institutional obstacles confronting Writing Studies?  What is the
promising potential that this field holds?

Please join guest speaker Derek Owens and hosts Roseanne Gatto, Sean Murray, and Tara Roeder of the St. John’s Institute for Writing Studies for this conversation.

When: Tuesday, October 4th, 6:00-7:30 pm
Where: St. John’s University, Manhattan Campus (101 Murray St.)

For Directions, Click the Link Below:
http://www.stjohns.edu/about/general/directions/directions/manhattan

Refreshments and snacks will be served.

Please RSVP by Saturday, October 1st to Tara Roeder:
roedert@stjohns.edu

Wednesday, September 28, 2011

Meet Dr. Sicari!

Today we are kicking off a brand new series of Meet the Faculty posts! These are a little get-to-know-you of your English professors. Not only do they teach your classes, but they are also researching, writing for publication, and presenting at conferences.

Dr. Stephen Sicari, Professor and Chair of English Dept.
Dr. Sicari is the Chair of the English Department, as well as a Professor teaching courses to undergrads and graduate students alike. He has been teaching for 26 years in total, sixteen of which he has spent here at St. John's. Before taking on the mantle of professor, Dr. Sicari attended Manhattan College for his undergraduate studies. He went on to earn both his M.A. and his Ph.D. from Cornell University.

Among the classes Dr. Sicari teaches at St. John's are introductory courses for undergraduates, Modern Poetry, Modern Novel, Modern Critical Theories, as well as single author courses in Pound, Stevens, Eliot, and Joyce. Although he does not have a real favorite among these courses, when pressed he chose Modern Poetry as his favorite class to teach.

Tuesday, September 27, 2011

The Messenger as Journalist in Antony and Cleopatra


Probably because I am interested in journalism, I started to think of the messengers in Shakespeare’s Antony and Cleopatra, whose job it is to enter public and private places to obtain information and deliver it to their employers, as proto-reporters. I was most impressed by the work of the messenger/reporter who appears in Act 2, Scene 5, and then again in Act 3, Scene 3. In his first appearance, the mesenger seems to disapprove of the Queen’s sexualized, over-eager demand for news, and his subsequent lines are marked by a dignified, even slightly aloof simplicity that seems more Roman than Egyptian. But when bringing home the nature of Antony and Octavia’s union, the messenger's tone turns sharp and clever:

Monday, September 26, 2011

CFP: Stony Brook Grad Conference

Stony Brook University announces their 24th Annual Interdisciplinary Graduate Student Conference: Instrument, Image, Ekphrasis: Intersecting Genres of Knowledge.


For more information, registration, and updates, visit: www.stonybrook.edu/english/grad/conference/.

Othello in New Jersey -- Oct 22 at FDU

For all STJ Jersey-ites, and others, here's the notice of an annual event at Farleigh Dickinson University in my former hometown of Madison, NJ.  I'll put anyone who wants to go in touch with the organizers or speakers if you'd like...

Sunday, September 25, 2011

Why I am in Graduate School

As a first semester doctoral student I am terrified at what the future holds. I am in this weird purgatory-esque setting where I am between two worlds. As teacher and student simultaneously, I am floating around trying to find my way. I am constantly bombarded with stories, articles, books, and blog posts about the abysmal job market, the destruction of tenure, and the abusive adjunct experience. I came to graduate school because I love books. I knew the market was bad and that graduate school would be a daunting task, but I love books. I love to read them, hold them, talk about them, think about them, write about them. I am not worried about a stinking job market. I will cross that bridge when I get to it. I have always questioned myself and wondered if this was the right attitude, or did I set myself up for a great deal of pain and regret. However, last week in The Chronicle of Higher Education I read the article “Fear and Loathing in Graduate School”, and it validated for me the reasons I decided to attend graduate school in the first place. 

Friday, September 23, 2011

Poetry Symposium: Tangled Spaces on 9/29

Join Professor Lee Ann Brown for this poetry symposium on Thursday at 4:00 p.m. The Symposium is held at the Martin F. Segal Theater at the CUNY Graduate Center. Check out the details below, and we hope you can make it!

The Write Career: Career Event Th 9/29


THINKING OF A CAREER IN WRITING?


Attend THE WRITE CAREER to gain exposure to career fields that value students with strong writing skills. 

Panelists will include:

Tom Walsh, Senior Editor Rolling Stone
Raymond Pun, Research Librarian NYPL
Theresa Giacopasi, Senior Publicist Hachette Book Group
Diana Castaldini, Freelance writer (and recent SJC English Dept alum)


Thursday, September 29 @ 5pm in DAC 416

Dinner will be served, rsvp via CareerLink today to save your spot!

Thursday, September 22, 2011

Save the date -- September 29

More details forthcoming, but put September 29 in your calendar!

There will be a Careers in Writing panel for undergraduate students in D'Angelo Center 416 at 5:00 p.m. The panel will consist of five writing professionals, including a writer from Rolling Stone magazine and a recent St. John's alum.

Wednesday, September 21, 2011

CFP: NEMLA 2012 - due 9/30!

NeMLA 2012: "Of Queen's Gardens": Victorian Ecofeminism
contact: Margaret S. Kennedy

Call for Papers: “Of Queen’s Gardens”: Victorian Ecofeminism

This panel invites ecofeminist readings of Victorian literature (novels, poetry, prose), wherein women are frequently given “natural” traits or are associated with the earth. Ecofeminist interpretations may highlight the damaging consequences of this link, or celebrate women’s potential to reform cultural/environmental attitudes because of it. In what ways does the woman/nature link function in Victorian literature? What do these interpretations reveal about Victorian
attitudes about gender and the environment, and the treatment of each?

Please e-mail abstracts of 300-500 words to Margaret Kennedy, mskennedy@ic.sunysb.edu.
Deadline: September 30, 2011
Please include with your abstract:
  • Name and Affiliation
  • Email address
  • Postal address
  • Telephone number
  • A/V requirements (if any; $10 handling fee with registration)

This will be the 43nd Annual Convention, Northeast Modern Language Association (NeMLA) and will be held March 15-18, 2012, in Rochester, New York at the Hyatt Rochester. The Host Instituation is St. John Fisher College, and the keynote speaker is Jennifer Egan, 2011 Pulitzer Prize winner, (A Visit from the Goon Squad). For more information, please visit http://www.nemla.org/convention/2012/cfp.html

CFP: NEWCA 2012

Here is the full call for proposals for the 2012 NEWCA (that's Northeast Writing Centers Association) Conference, which will be hosted by St. John's University in April. Proposals are due by December 31! If you're interested in submitting as part of a panel, come by the Writing Center and chat with some of the consultants. Last year, several students from St. John's traveled to New Hampshire to present.


Call for Proposals - NEWCA 2012
Building from 9/11: Writing Centers ReImagine, ReInvent

St. John’s University, Queens Campus
8000 Utopia Parkway
Queens, NY 11439

April 13 - April 15, 2011
Friday, April 13 - Open Mic Night
Saturday, April 14 - Conference Sessions and Keynote Speaker
Sunday, April 15 - Special Interest Groups and NEWACC

Proposals due by December 31, 2011 

Keynote Speaker: Deborah Brandt

Deborah Brandt is Professor of English Emerita at the University of Wisconsin-Madison, where she taught undergraduate writing, administered a writing program for fifteen years, and taught graduate courses in literacy and contemporary writing theory. Her research focuses on the changing social and economic conditions for literacy and literacy learning in the United States as they are felt in the lives of everyday people. Author of the award-winning Literacy in American Lives, she is at work on a new book called Writing Now: New Directions in Mass Literacy. She is a recent recipient of a National Endowment for the Humanities fellowship and a Guggenheim fellowship.

Call for Proposals

Since the tragedy of 9/11, the nation and the world have been transformed, and writing centers have mirrored those shifts and convulsions. From reflection and debate as well as conflict and consensus, smoking rubble has dissipated. In its place, a new city center is emerging on the skyline, forcing a population to critically examine and come to terms with the use of space and the function of public memory, of never forgetting and moving forward. Writing centers, in New York City and beyond, have faced a decade of similar tumult, of always contending with the tangible and local consequences of larger social and economic currents and of being focal points of dynamic and passionate attention. Writers come to our spaces working through both trauma and the everyday of academic life, tutors and faculty negotiate the multimodal as it transforms learning and teaching, and administration pushes our centers to do more, often with limited resources and greater accountability for efficacy and outcomes.

Sunday, September 18, 2011

The Infamous Call for Papers

In my whole single year of experience as a graduate student, there's one thing I'm glad that I found out early on in the process: how to track down conferences and articles and who wants them from you. There's a solid expectation to be taking part in the scholarly discussion, and publishing an article or speaking at a conference are among the best ways to do that.

Just the first 9 categories!
If you are a graduate student or are thinking about becoming one, then this is a website you want to save in your bookmarks bar. This site is run through the University of Pennsylvania, and it is an absolute treasure trove. Calls for papers are divided up by fields of interest, and they include announcements for conference papers, articles in scholarly journals, or book-length collections. You can set up (depending on your browser) an RSS feed, which will then automatically send you updates on just the subdivisions in which you are interested.

Many of the calls for papers are for conferences, which are a great place to get your proverbial feet wet. You can submit individually or as part of a panel, and most conferences welcome scholars at various levels in their academic career. So don't be intimidated if you are an undergraduate or a first-year graduate student. There are conferences specifically organized for graduate students -- the St. John's English Department hosts one every spring for its graduate students.

Read over the fine print in the postings to make you know how long an abstract should be, to whom it should be submitted, and what your deadlines are. And don't forget you can always share an abstract with a professor or come to the Writing Center before you submit it.

Check out the addition to our "Pages" section: I have added a brand new page dedicated just to Calls for Papers. This page will be updated weekly, and it will contain links to specific blog posts here at STJ English as well as to calls for paper linked from UPenn's site.

Friday, September 16, 2011

On Seeing the Big Picture: Graduate Student Musings

As professional academics, present and future, we trade in ideas. And, sometimes, it’s enough just to be surrounded by those ideas and not necessarily knee deep in them. Sometimes, ok a lot of times, it is easy to get lost in the minutia. Reading Bayard's "How to Talk About Books You Haven't Read" for our Intro to the Profession course, I'm reminded over and over just how many types and levels of interactions we have with not only books and ideas, but also the interactions with a spectrum of other folks who too have their very own personalized interactions with books and ideas. Whilst I may talk to a colleague about the critical lens through which I'm examining a text, I might discuss with a friend the plot of that same book, or with the writer, the context and import of the work.

In class this past week, Professor Mentz asked us to choose just one thought from Semenza or Bayard that would, hypothetically, act as our primary guide through this grad school experience. (See Kathleen's post from earlier this week, which is a fantastic break down of both texts.) Personally, the decision to go with Bayard wasn't even a decision. Whilst I genuinely appreciate Semenza's methodically pragmatic grad school game plan, I was never one for such a concrete thought process. I am drawn, rather, to Bayard's more abstract approach to the study of books. The bit I identified with most in the Bayard was the image of the library - the very systematic organizing of ideas. In a library, books, and subsequently ideas, are mapped in not only contextual spaces, but also in physical locations. The librarian, in Bayard's example, is only too happy just to be situated within that map, surrounded by the books, noting that to read all the books would disrupt the relationship he has created with the books. He genuinely understands his position. The You Are Here arrow on the map of ideas? He knows where that is. As grad students, then, mightn't we need to very truthfully understand our own relationship with the ideas we read? Since we ultimately claim to have the authority to discuss these ideas, shouldn't we genuinely be able to locate ourselves on the map?

Kerouac writes, “I like too many things and get all confused and hung-up running from one falling star to another 'till I drop... I had nothing to offer anybody except my own confusion.” I do sometimes feel that way about Academia, with a capital A. We may, at times, have nothing to offer except our own madness and confusion. The goal, there’s the rub, however, is to be able to situate that confusion and locate it in the system of larger ideas. It’s particularly important to remember that we, like the books, are a part of a structured system – an organized web of thought, both potential and manifested musings. We need to be able to orient and locate ourselves in the system of knowledge so as to relevantly and meaningfully participate in the dialogue. Just as the librarian knows he is the tour guide, perhaps our own role is to be that of a discoverer or a creator or an instructor. Or a combination of it all.

In order to make accurate maps, to plot location and orient oneself, cartographers need elevation. They need to be able to see things from above - the larger picture, if you will. I take from Bayard his reminder to look at the larger scope of this enterprise in trading ideas. We will all specialize and be drawn to beautifully nuanced nooks and crannies of language and literature, but we must not lose sight of the library, the map. Organization, focus and precision are necessary, but so is remembering to find the joy in being surrounded by the books and being surrounded by the ideas. It is important to know that I am somewhere on this map - the weeds sometimes, I fear. That is what will make this (ad)venture sustainable, for myself at least. Soon enough we’ll be knee deep in the minutia and sorting out the madness, and talking plenty about books we may or may not have read. So, uh, who's ready for Comps?

Wednesday, September 14, 2011

Links to Chronicle articles on jobs and technology

A few interesting reads from The Chronicle. Although many of us are quite far away from interviews, I think it is important to place them on our radar. The second article about academe in the technology age seems like a really interesting read, and it connects to some of what we discussed in class.
http://chronicle.com/article/What-to-Expect-in-a/128827/

Monday, September 12, 2011

9/11 Writers Roundtable

Don't forget next Wednesday's roundtable commemorating the events of 9/11. Here are some snippets from the flyer. For more information, please contact Dr. Fanuzzi. Join us following the roundtable for a wine and cheese reception.


Meet the writers, including Professor Joseph who teaches at our very own School of Law.


Thursday, September 8, 2011

Blogging and Bayard

BLOG - the four letter word that actually gets you into trouble if you don't use it! Blogging today is not only for those who wish to share vacation stories, special family moments, or the antics / drudgery of everyday life. No, in today's world blogging has become an art form and in some cases a required art form. Schools, especially at the university level are using the Internet as an electronic forum for assignments. Even those out on the job market aren't safe from the world of the blogger; potential employers often seek prospects that are Internet and social networking savvy. I can attest to this firsthand as I was recently laid off after 17 years. But thanks in part to the 'almighty keyboard' I landed an awesome job in the city. Hopping aboard the social network train was one mode of transportation I never thought would be important but it proved to be quite a pleasurable ride! Last semester found me working in Canada so being able to post to my Trauma website enabled me to work with my professor in real post time if not in real face time. And although I am in the Information Technology field the idea of spending time on the computer for anything other than work was at first unbelievable; now thinking of not using it for my personal life especially my studies, is inconceivable!



But alas! I did have to reach out to one of my fellow students (whom I believe we will all have the pleasure of meeting in class this week) for a quick trip through Blogland before I actually submitted this. And doing so gave me the idea to make a play on Bayard's book "How to Talk About Books You Haven't Read". Although in this case it was actually presenting an image of book which not only hasn't been read; it hasn't even been written (yet)! But the thought process behind displaying it falls in line with what Bayard is trying to convey in the first section of the book "Ways of Not Reading". I thought why not cite a book that would provide an easy track into blogging. And with Tara's help maybe we can publish this for real one day... but that's another blog all together...


Getting back to Bayard, there were so many great moments in this book which of course could only be found if one actually read it and not just skimmed through the chapters or the preface or back cover. I found myself laughing out loud at some of the stories and arguments he presented. Not because they were simply absurd but because they were simply absurdly true! This blog presents some of my favorite parts of the reading which I hope will inspire some of you to comment. It is always interesting to see others' perspectives on things you have written. And in true Bayardian fashion your perspective counts whether or not you have actually read the sections cited within this blog of are just commenting on my comments.

In the preface Bayard outlines his intentions for the book and includes his own literary abbreviations which are quite clever: UB books unknown to him; SB books skimmed by him; HB books he has heard of; and FB books he has forgotten. He also notes that the two most obvious RB books that he has read and NRB books he has not read are notations that are not used nor will ever be used in his text.

In the first section Books You Don't Know, Bayard introduces us to the quintessential non-reader. This is the person who doesn't read a book per se but reads around it. The most important characteristic is the reader's ability to gain a perspective on the text by placing it in its proper location within the literary world. Once the non-reader does this he / she is able to intelligently speak about a text without actually reading it. Bayard gives us the example of the librarian whose life revolves around millions of books most of which he has not even opened. He has however read catalogs - or books about the books; and by doing so can successfully speak about any of the books in his care. My summation of this section is that you need to base your level of non-reading by 'what you want to accomplish versus what you need to accomplish'. I can use Bayard's idea of perspective in my job as an IT Analyst. Success comes not in focusing on the specific task but rather how that task will affect all other systems with which that task may directly or indirectly come into contact. Therefore understanding not only the perspective of the task but its relative location is important to delivering a successful design and implementation.

In the second section Books You Have Skimmed Through, Bayard cites the works of Valery who prides himself on knowing all there is to know about books without knowing anything about them. He is adamant about separating the author from the book for he feels that a literary piece does not define the author or his style but rather a point in time in the author's life; more specifically the time that it took the author to create that literary piece. Bayard's belief is that the successful 'skimmer' respects the depth and richness of the text without getting bogged down with all the details (Bayard, 15). I agree that reading too much may inhibit an author's ability to be truly original and creative. He then brings us into Valery's world of acknowledging authors without truly acknowledging them or their works. Rather he is a 'word aficionado'; a true expert at delivering compliments to the living or deceased that, like Chinese food, has you wondering if you really read (or ate) anything of any substance a few hours later. The one problem I had was Valery's authenticity when relying on the opinion of others, Once again if we look to Bayard for direction we have to wonder that if skimming the actual text or others' reviews of the text can be detrimental to the author's credibility as it is truly not his / her opinion but rather someone else's; someone who in their own right may have also been a proficient skimmer! It makes one wonder if the critiques we read are based on actual readings or "skimmings". As Bayard quotes "Blessed are those writers who relieve us of the burden of thought and who dexterously weave a luminous veil over the complexity of things" (Bayard, 23).

In the third section Books You Have Heard Of, I sum up Bayard's observations as "possession (of a book) in this case is NOT nine tenths of the (literary) law; rather comprehension (on how to formulate ideas) is". He cites the book "The Name of The Rose" but from what we have garnered about his character makes me wonder if he actually read the book, skimmed the chapters, or watched the movie! I believe he chose this text because it brings to light that there is danger in knowing too little about something and too much about nothing. I liked his concept of the 'collective library' and actually think this could be an invaluable tool especially when preparing for comps. It was also interesting to read about 'screen books' which can replace (per se) books with either objects or memories. Bayard points out that neither Jorge not Baskerville actually had the book in their full possession as Jorge was blind and therefore only able to rely on memory and Baskerville wouldn't touch the pages for fear of being poisoned. One has to be able to understand how literal possession versus virtual possession affects how we perceive books. Basically our own as well as others' literary criticism can change the way we look at or feel about books we have read and what we remember may not be the truth if we examine it more closely at another time in our lives.

In the fourth section (and the last to be discussed here) Books You Have Forgotten, Bayard argues that a book you have forgotten could very well be classified as a book you haven't read. He introduces us to Montaigne who not only forgets books he has read but also forgets books he has authored. His trick for remembering that he actually opened a book is to write a summary at the end of each text that embodies not only his thoughts on what he has read but also facts about the author. Montaigne laments "And if I am a man of some reading, I am a man of no retentiveness" (Bayard, 49). How many times have you read something and sometime later accepted the same book from a friend forgetting that you had already read it? It's even worse when you actually buy the book -- twice! And forgetting isn't limited to books, we can even say this about papers we have written over the years. On a side note, this weekend someone asked me if it was possible to plagiarize yourself if you don't quote yourself when using information from a literary piece you had previously authored. A friendly argument ensued and the consensus amongst the family was yes, you can. I'm sure some of you will certainly comment on this!

Back to Bayard: So my fellow bloggers, I would like to pose two questions for you:
-- How do we balance knowing too much with retaining too little with forgetting text all together?
-- And what truly constitutes non-reading as compared to un-reading, a term Bayard uses to explain away Montaigne's (and our own) literary memory loss?

It will be interesting to see the comments on this, the first blog of many, for our class. I look forward to learning what I did wrong, what I did right, and what I could have done better. Happy reading (or non-reading)!

Prof Hacker on Graduate Student Websites

An interesting article from the "Professor Hacker" column in the Chronicle of Higher Ed about the pros and cons of graduate students building personal websites.  Suggested reading for my Eng 110 students for next week.

Wednesday, September 7, 2011

Join us in commemorating 9/11

There never seems to be sufficient words to describe the events of September 11, 2001. Even, or perhaps especially, as we prepare to mark its ten year anniversary.

As part of the events sponsored by St. John's University to commemorate 9/11, the English Department particularly invites you to the following:
  • An interdisciplinary conference sponsored by the Graduate School of Liberal Arts and Sciences, and organized by Dr. Robert Fanuzzi of the English Department and Associate Dean Michael Wolfe of the Graduate School. This conference, "Making Meaning of 9/11: Local Impacts, Global Implications," will be held on the Manhattan campus on Friday, September 16 and Saturday, September 17. It features presentations by several St. John's English faculty as well as scholars from other disciplines and universities. There is no charge for graduate students, but you will need to pre-register for the conference. To do so, please email Dr. Wolfe.
  • A "Literary Roundtable" sponsored by the English Department on the significance of 9/11. This event will take place on the Manhattan campus on Wednesday, September 21 from 4:00 - 6:00 p.m. It features readings and discussion by Lawrence Joseph, Amitava Kumar, Anne Nelson, and Kamilia Shamsie, followed by a wine and cheese reception. This event was also organized by Dr. Fanuzzi and will be moderated by Dr. Dohra Ahmad and Dr. John Lowney. This is really an extraordinary opportunity to hear and talk with an internationally renowned group of writers. We hope you'll be able to attend. (If you are teaching this semester, please encourage your students to attend as well.) This event does not require pre-registration.
For more information on all the events that St. John's is sponsoring to commemorate September 11, you can visit the Provost's announcements page here.

Introducing the Introduction

This is the second year that I've been teaching our Introduction to the Profession graduate seminar, and this year the students and I will be using this platform to help expand the public face of our course.  Blogs are, obviously, a form of self-publishing, but there's a lively discourse -- see, for example, the past few posts on the medieval studies group-blog In the Middle -- about how blogging is itself a form of scholarly writing, more process-oriented and less finished than other publication venues.  We started this blog last year to serve as an electronic version of connective-tissue, trying to keep our community in touch with each other.  This year, we'll see how it works to bring on board our new crop of doctoral students, and to keep reaching out to our larger communities -- English majors and minors, other students at St. John's, and in the greater New York area. 

Starting next week, the students in Intro to the Profession will begin posting about subjects of their own choosing.  They may well start with our first two assigned books.  The first is an academic how-to, in detail and with examples, written by Gregory Colon Semanza, who teaches now at UConn and comes from the PhD program at Penn State.  The second, more playful, ironic, and, well, much more French, is Pierre Bayard's How to Talk About Books You Haven't Read.

One possible first question, then, might be -- why would we want to read such unlike books together?

Thursday, September 1, 2011

Welcome back!


We hope you all had a wonderful summer. Perhaps relaxing. Perhaps productive. Perhaps crazy. We are glad to welcome you back for the fall semester. September is officially here. (Of course, it is. Dunkin Donuts is serving pumpkin coffee.)

There's already a lot of great buzz circulating already about classes. St. John's Bookstore bags are a certain sight this week as everyone picks up their books for the semester. Everyone is stocking up on highlighters, notebooks, pens, pencils, and coffee.

I am also really excited about continuing our English Department blog this semester! While I am drawing up plans for some "series" of posts and we'll of course keep up with announcements on department happenings, please let me know if you have any suggestions of things you'd like to read on here. Are you interested in guest-blogging? Send us an email at stjenglish.blogspot@gmail.com!

Enjoy the first week back to school!